Evolution of Bollywood movies

It is common knowledge that the Hindi movie industry, or Bollywood as it is commonly known, is a major influence on modern Indian culture in the past and will most likely continue to be later on. To a very large extent, Bollywood has formed the manner in which people see and understand Indian civilization. It also reflects India’s events, customs, values and customs due to the simple reason it is a pervasive and inevitable force in Indian culture. While the effect of Bollywood is immense and films are regarded as a reflection of this society, it’s unfortunate that girls in movies happen to be and to an extent, are still, represented as appendages or just beautifying wallpaper in Bollywood. Issues pertaining to sex violence, rights of girls, femninity and sexuality are often overlooked and in most cases, weakened.

In the past couple of years, Bollywood has churned out some really refreshing films. Refreshing and intriguing primarily because in each of them, the character of the female protagonist has been miles away from the teary-eyed or babe-in-the-woods kind of stereotypical portrayals. For watching bollywood movies online gomovies is a perfect place.

For instance, in the movie’Tanu Weds Manu’, Tanu (Kangna) is part of a small town but is quite adept at mouthing abuses aimed at her prospective groom, smoking smokes secretly with her best friend in the middle of night, or doing the greatest boy item – riding a bike with self confidence! Imagine a woman writing these things about herself on a Indian matrimonial site! This could be blasphemous! Or imagine having to write this on a woman on any matrimony site -‘the girl in question resembles Susan from 7 Khoon Maaf’! Priyanka Chopra, the hapless Susan at’7 Khoon Maaf’, initially tries her best to be a docile and demure wife, but finally becomes the’i-give-you-a-taste-of-your-own-medicine’ woman, who systematically kills all her husbands when they start to torment her.

Times have changed from when women from little towns were the typical’demure and homely’ types, who’d bow to the wishes of the men in the household and marry somebody of the parent’s choice or allow their profiles be designed by possessive, protective, rule-driven brothers or fathers on matrimonial sites. Indian films were ruled by a really hackneyed and stereotypical portrayal of women, a trend that has been, finally, seeing a remarkable change.

Be it the crazed-by-revenge Priyanka from’7 Khoon Maaf’, or no-nonsense and spitfire journalist played by Rani Mukherjee in’No One Killed Jessica’ or Kangna in’Tanu Weds Manu’, every woman has played a strong personality who will not readily supplicate before a dominating male. The characters portrayed by these heroines and leading girls are fine with alive unconventionally too, provided that they are doing it on their own terms.

Since Meera, the motor mouth journalist who uses cuss words such as punctuation, Rani played the part of a woman who is more concentrated on her job instead of having a man in her life. A case in point is the scene where she’s getting comfy with her man but leaves in a hurry when perform beckons her. The workaholic Meera is like any other girl walking around the roads, who probably gives work more priority compared to her relationships and is unapologetic about it. It’d be a radical change if one were to come across a matrimonial site that states,’career-oriented spouse favored.’

We do come across similar stories or profiles in our daily life too, don’t we? We all know of friends who are attempting to establish or research or assert their identity and individuality – to make a mark on their own. We also know of friends who might be confused or non-committal in love or give work more priority than guys – just the way Rani Mukherjee’s personality Meera does in’No One Killed Jessica’.

The portrayal of women in theatre is slowly becoming believable and much more in touch with reality. When one sees those characters on screen, an individual can easily identify with the characters and empathize with them in addition to get convinced with their actions and responses to stimuli and situations.

The biggest change is that these women are no more tied down to meet male dreams, draconian dogmas or trite feminist prejudices. They are not morally squeamish and are ready to have a certain stand and are not pleased at being poster women or ideal union material in matrimonial sites.

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